It's rumoured that in years gone by, you’d have been harangued by your neighbours or even fined for hanging out your washing on a Sunday in Dulwich Village. Yet last month for two weekends, Bell House did just that. A line of washing stretched from a tree in the front garden to a top window. It certainly caught everyone's attention but why was it there?
The washing line was making a very public statement to announce the Bell House ‘Windows and Thresholds’ exhibition, featuring over 40 artists as part of Dulwich Festival’s Artists’ Open House. Five female curators each took a room and invited us to look inward and outward. It was a great success, with over 2000 visitors during the weekend.
Lucy Soni, a local multi-disciplinary artist created the washing line piece. The work was named “What’s Left Behind and What We Keep”. Lucy was inspired by the things she found in her mother’s cupboards after her death. These inherited white linens were stained with memories of times past of her mother’s life.
This attention-seeking work, visible to everyone who passed by, was a reinforcement of how present-day women artists can work, wherever they wish, in the open, outside - something that was frowned upon, and for some prohibited in the past.
The artwork was also a nod to the Dulwich Picture Gallery's current exhibition, which is showing work by the 18th century artist Berthe Morisot. She was one of the most significant Impressionist painters and the only female founder of the Impressionist movement. Morisot lamented that unlike male artists of her time, she was limited to painting early in the morning - preferring to be home by 9am before the ‘masses were out and about’. And so, many of Morisot’s works, depict views through windows and doors.
One work that really got the visitors talking to each other was Monika Kita’s “Who Is it?” As visitors passed by a cupboard in the Gowan room, they heard a knocking sound. What was it - was someone in trouble - were they trapped - should they open the door and let them out?
And over the first weekend, Laura Moreton-Griffith delivered her performance piece “A Hauntology” around Bell House. Laura played the haunted protagonist wandering, a key in hand, searching for the door it would open.
There were so many wonderful works - paintings, prints, sculptures and installations - sadly too many to mention here. The exhibition works showcased Bell House to perfection - highlighting its history and beauty but also its ambition to be a house which opens its doors and gardens to the local community for all to enjoy.
And in case you're wondering, there were no letters of complaint about the washing line. Kim Thornton, curator-in-charge said: “We wondered if there would be, an artist always wants to disrupt!” There may have been no haranguing this time, but the ‘Windows and Thresholds’ exhibition certainly received a lot of approval from its neighbours!